River timms
playwright
River Timms is hopefully better at writing plays than they are at writing bios. They are a Nashville based artist currently working as Woven Theatre’s Resident Playwright and Literary Manager. River’s plays are punctuated with fantasy and influenced by video games and anime as much as they are influenced by Sarah Ruhl and Tony Kushner. Their first full length play ‘Opus’, a modern fantasy tale, was produced by Woven in September 2018. As a queer person, River tends to focus on LGBT characters and the stories they have to tell.
Cast
Creative Team/Staff
Director’s Note
“Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner, who isn't convinced of it, is very much afraid that he may have been formed in the image and likeness of God. Ghosts can be very fierce and instructive. They cast strange shadows, particularly in our literature. In any case, it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.”
-Flannery O’Connor
Suffocation for those that are deemed ‘other’ is specifically prevalent in the Christ-Haunted South, Tall Tales explores what being othered by your community can do. Each person reacts differently. Some run away, some stay and fight, while others become complacent with the judgment and bile a community can exhibit. Being gay or queer in the Deep South is a wholly unique experience when compared to other places. The Christian church, regardless of the denomination, drips and surges through the ground water here. Being a horror play, our monster is a manifestation of that trauma: the feeling of being hated or condemned or rejected from a part of society in which you thought you belonged. Our monster is being afraid to kiss your boyfriend in public for fear of being beaten. It is wondering which words you’re allowed to use because you don’t know what might ‘out’ you. Tall Tales beautifully handles the nuisances present in these issues while leaving light at the end of the tunnel. At times, it’s funny and lighthearted, and then, in an instant, it turns into a cacophony of horror that settles down into an underlying dread and terror that lingers in the back of your head.
As queer person in the world and particularly a queer person in the South seeing my community take the stage is important. This need for representation has changed over time. In the past we struggled and fought to simply be acknowledged. We fought not for our stories to be told but for the world recognize that we exist. Often this would take the form of the catty gay best friend, or sassy gay. Was it base and derivative? Absolutely, but the acknowledgement was something. As acceptance has grown our need for meaningful representation has also grown. Now we need to be seen as full humans with thoughts and feelings, wants and need, loves and hates.
Partners
Onlyadulttoy.com
Woven Theatre has partnered with Only Adult Toy for Tall Tales. During the month of October a portion of all sales from Only Adult Toy will go to support Woven Theatre. Also they have been generous enough to give 20% off for anyone that mentions Woven Theatre when shopping with Only Adult Toy.
If you liked what you saw please consider donatiing to our indiegogo
Special Thanks
Nashville Rep, The Barbershop Theatre, The Harpeth Hall School, Graham and Nettie, Jan Augusty, Adam Wilsman, Josh Kiev, Stephanie Hamiliton, Dixie Currey, Roobert, The Kids, Claudia Barnett, Tessa Bryant,